
I am a textile artist currently pursuing a Master’s degree at the Swedish School of Textiles (Year 2) , where I specialize in weaving as both a material practice and a conceptual language. My work is rooted in an ongoing fascination with how textiles can carry memory, biography, and transformation. I approach weaving as a space of tension between construction and deconstruction, where traditional techniques are continuously challenged, disrupted, and reimagined.
Experimentation lies at the core of my practice. I work with a wide range of yarns and found materials, often incorporating cutting and tufting to create surfaces that look fragile or in flux. Natural processes such as decay strongly influence my thinking, both formally and conceptually. I am drawn to moments where materials begin to fail or change, as these moments mirror human vulnerability and resilience.
Alongside my current research, sustainability has been a fundamental pillar of my work since graduating cum laude from the Royal Academy of Art in The Hague (KABK) in 2022. Living for several years in the largest female student house in the Netherlands profoundly shaped my material research and fascination. Surrounded by shared ecosystems of consumption and waste, I began working almost exclusively with discarded, everyday materials: old clothing, plastic bags, dryer lint, vacuum dust, packaging, and textile remnants. Through techniques such as weaving, tufting, needle felting, knitting, embroidery, and knotting, I deconstruct and recompose these materials into new textile forms.
My current project, Continues Flux, uses multi-layered weaving as a method to translate life stories into material structures. The work is based on the narratives of ten women, five from my close personal circle and five from diverse cultural and social backgrounds. Rather than illustrating their stories literally, I allow biography to inform material choices, structural decisions, and layered processes. The project reflects my own lived experience of resilience and transformation, while simultaneously addressing the universality of these experiences among women.
I see my practice as one of constant renewal. Each project is a way to question what I already know and to deliberately place myself in unfamiliar territory. I am motivated by an ongoing desire to evolve, both technically and conceptually and to let my work remain in continues motion.
Curriculum Vitae
2024 - now
Master year 2 at The Swedish School of Textile
2019 - 2024
Working Assistant
Joana Schneider
2023 - 2024
Working Assistant
Laurence Aegerter
2025
COCOON HOUSE, group expo
Exhibition, RAK art, Ras El Kaimah, Organisation in design
2024
2023
2022
2020
Education
Languages
References
Available upon request.



